Dover Studio Collective artists welcome virtual visitors to their Open Studios this May. Due to necessary pandemic safety restrictions, we are presenting our event in an online format this year. Dover Printfest 2020 is a partnership project involving Future Foundry, Dover Studio Collective and Dover Arts Development and is part of the French printmaking festival Fete De L’Estampe. Please also follow our Instagram page @doverstudio to discover a diverse range of work, from linocuts to mono prints, solar plate etchings to lumen prints.
Studio walls
Dover Studio Artists
Clare Smith
Clare Smith – Garden bath, May 2020Clare Smith – Coming to a cinema near you #2Clare Smith – Coming to a cinema near you #5
Clare Smith – Chinese tea cup 2020Clare Smith – Unanticipated world #11
Clare Smith – Unanticipated world #13
Clare Smith – Drawing with frottage, watercolours, acrylic, oil pencils, waxClare Smith = Coming to a cinema near you #4Clare Smith – Coming to a cinema near you #6 (sold)
Clare Smith – Coming to a cinema near you #1Clare Smith -Unanticipated world #12Clare Smith – Coming to a cinema near you #3
Katharine Beaugié – detail of Equinox Peace 2014 installation in Dover studio ® 2020Katharine Beaugié – White Cube 2016, oil on canvas in studio ® 2020
Katharine Beaugié – Equinox Peace 2014 installation in Dover studio ® 2020Katharine Beaugié – Gold Cube no. 6, 2018, 16.8cms – gold leaf, gesso on reclaimed wood made in Dover Studio ® 2020
Katharine Beaugié – Requiem for the living and the dead performance collaboration with Dave Robinson, 2016 photograph by Louisa Love ® 2020Katharine Beaugié – Shadow of gold cube 1 2018, photogram made in Dover Studio ® 2020
Katharine Beaugié – Reflective Pool 2014, burnt wood and water in Dover Studio space ® 2020Katharine Beaugié – Blossom petals and raindrops Diptych soft piece 2 2018, photogram made in Dover Studio ® 2020
Giclée prints available in any size, framed or unframed, please email Kate for a quote/ any enquiries please email: katebeaugie@gmail.com
Mike Tedder – Frottage #3 conte on newsprintMike Tedder – 3 Peaks, cut paper collage A5Mike Tedder – New Life, cut paper collage 6.5 x 4.5 inchesMike Tedder – L’olifont, c-type print 12×16 inches / 30x40cm
Mike Tedder – What’s this? c-type print 12×16 inches / 30x40cmMike Tedder – True Faith, cut paper collage 6.5 x 4.5 inchesMike Tedder – The Island, c-type print 12×16 inches / 30x40cmMike Tedder – The Factory on the Hill, cut paper collage 6.5 x 4.5 inches
Mike Tedder – Stimmen im Wind, original cyanotype on cotton fabric A4 sizeMike Tedder – On Top of The World, cut paper collage 6.5 x 4.5 inchesMike Tedder – Frottage #2 conte on newsprint
Mike Tedder – Die Brücke, cut paper collage 12 x 16 inches / 30x40cm
Gwen Hedley – Detail of Intaglio print plus stitch
Gwen Hedley – close-up Intaglio print with stitch
Deborah Colam
Deborah Colam – “Reflectted Trees” Monoprint, black and purple ink. 300mm x 380mm. £80.00Deborah Colam – “Horseman” Cyanotype on 300gsm Derwent watercolour paper. 340mm x 430mm. £80.00
Deborah Colam – “Moonshine, plate” Collagraphic plate on ragboard in red and black ink. 220mm x 166mm. £80.00Deborah Colam – “Moonshine” Mixed media print with gold-leaf on Japanese kozo tissue paper, black and red ink. Size 305 mm x 248 mm £80.00Deborah Colam – “Giraffe” Contact print from driftwood, black, mauve and purple ink. Size 690 mm x 440 mm £120.00
Deborah Colam – “Moonscape III” Monoprint on Japanese kozo tissue paper, black ink. Size 300 mm x 380 mm £80.00Deborah Colam – “IXIV” Experimental intaglio print on red Japanese tissue paper, black ink. Size 470 mm x 602 mm £120.00
Deborah Colam – “Sky Gazing” Cyanotype on 300gsm Derwent watercolour paper. 340mm x 430mm. £80.00Deborah Colam = “Pear Tree” Linocut on hand-made paper, black ink. 215mm x 310mm. £25.00
Joseph Black
Joseph Black
Joseph Black
Joseph Black
Joseph Black
Nicolas Deshayes Dave Robinson
Nicolas Deshayes
Nicolas Deshayes
Dave Robinson
Dave Robinson
Studio Artist Friends
Marcia Teusink
Marcia Teusink – ‘December 2019 1’ (2019) monotype, ink on Somerset paper, 21 x 29.5 cmMarcia Teusink -‘December 2019 3’ (2019) monotype, ink on Somerset paper, 21 x 29.5 cm
Marcia Teusink – ‘October 2019 2’ (2019) monotype, ink on Somerset paper, 21 x 29.5 cm
These monotypes are one-off prints, although I often work in series and use the ‘ghost’ of one print to work into for the next one. My studio practice is concerned with issues of precariousness and collapse, and also with taking apart and rebuilding structures. Monoprints are a way I research visual imagery in current events and everyday structures around me, searching for interesting marks, shapes and forms that I might then use in my painting or sculptural works.
Marcia Teusink – ‘Quiet Collapse’ (2019) monotype, ink on Somerset paper, 21 x 29.5 cm
Marcia Teusink – ‘Folded up’ (2019) monotype, ink on Somerset paper, 20 x 29 cm
Amanda Thesiger – Mono print, crayon and graphite on graph paper – 21 × 29 cm – Untitled
The prints I make are exploratory and organic. They often employ a combination of methods and media – from mono-printing to frottage to direct drawing – responding to marks and features in a tactile, fluid way – building elements of each print intuitively. I use ordinary materials and natural objects as source material and subject, making visible the overlooked and obscured.
Amanda Thesiger – Mono print, collage and crayon on graph paper – 21 x 29 cm – ‘Curve’
Amanda Thesiger – Mono print on graph paper, 212 x 29 cm – ‘Shepherds Purse II’Amanda Thesiger – Mono print on graph paper, 21 x 29 cm, ‘Shepherd’s Purse I’
Amanda Thesiger – Mono print, crayon, graphite and coloured pencil on graph paper, 21 x 29 cm, Untitled
Rosie James – My work is a combination of screenprinting and stitch and these are some smaller samples of my usually larger works. My website RosieJames TextileArtist instagram @rosiejamestextileartist
Rosie James
Rosie James
Rosie James
Dawn Cole
Dawn Cole – 4 images are attached from my latest body of work – In Isolation
Dawn Cole – Dawn Cole is an artist based on the north Kent Coast making work in response to archives and history and exploring themes of time, memory and memorialisation. She primarily uses print techniques including solar plate etching and collagraph. Cole’s work takes a more conceptual approach to printmaking whereby the process and materials used are carefully selected for their relevance to the ideas behind a body of work.
Louise Webb Current moving image piece (Work in Progress) – exploring the control elements of digital communication devices and the ability to mute other people.
Louise Webb A Tool for Loneliness – Please Stay Seated While the Vehicle’s in Motion
Exhibited in Gut Feelings 07/12/18 – 09/12/18 This work came from an interest in the isolation that can occur through communication devices in public spaces. Devices which initially are created to enable conversation globally instead are enabling an escalating loneliness. Developing a need for instant gratification of response and mimicking interaction without physicality. It is easier to talk through a screen now rather than engage with the people that surround you. Lack of body language means it is now easier than ever to interpret the words of a friend in multiple different ways and moods. Instead, a defensive stance can be created by the holding of a phone,a protective barrier from the conversation of a physical person, and avoidance of awkwardness.
Print & Drawing Club Artists
Amanda Thompson
Amanda Thompson
Amanda ThompsonAmanda Thompson
Amanda ThompsonAmanda Thompson
Zel Hunt – Buried Map 8 x 8” (framed) Acrylic & Mixedmedia on wood panel. Process: Asemic writing & symbols created from Letraset and hand drawn marks over layers of painted surfaces. Inspiration: Strata of natural and manmade history beneath the surface of Dover,UK www.zelhunt.com
Zel Hunt – Shipping Lanes 20 x 20” Acrylic & Mixedmedia on cradled wood panel. Process: Hand drawn & Letraset markings over layers of painted surfaces. Inspiration: crisscrossing of lines from ships to & from Dover Docks. www.zelhunt.com
Zel Hunt – Abstraction: Dover Docks 90 x 90cm Acrylic & Mixedmedia on Canvas. Process:Built up surface of layers of paint, overlaid with Letraset and hand drawn lines. Inspiration: Juxtaposition of form & colour of Dover Docks. www.zelhunt.com
Zel Hunt – Excavation 10 x 10” Acrylic & Mixedmedia on wood panel. Process: Built up layers of paint with Letraset and hand drawn markings. Inspiration: fragmented forms & torn maps which may lie beneath our local landscape. www.zelhunt.comZel Hunt – Over the White Cliffs 18 x 12cm Acrylic & Mixedmedia on cradled wood panel. Process: Built up layers of paint with Letraset & hand drawn markings. Inspiration: A sense of the majestic cliffs when walking the coastal path. www.zelhunt.com
Amanda Godley – Size: 420x420mm Medium: Gouache on watercolour paper
